How often have you been out in the field, captured what you thought was a truly spectacular image, and returned home to pull it up on the computer—only to find that the photo is painfully unsharp? If you’re like the rest of us, you’ve suffered this disappointment more than one or twice.

This problem can occur because of problems with your technique, but more importantly because you’re unaware of a few simple solutions that will help you nail focus every time with whatever camera you own. That’s what you’ll learn in today’s very helpful tutorial with instructor Steve Arnold.

Arnold is an accomplished landscape shooter based in Australia whose straightforward how-to videos are designed “to help less-experienced photographers level up their skills and create images they are proud of.” In barely 11 minutes he reveals several commonly used focusing techniques you should ditch, and easy alternatives for pin-sharp photos every time.

The good news is that capturing the sharpest possible photos “is really easy” under most scenarios if you follow Arnold’s straightforward advice. He also demonstrates a foolproof focusing-stacking method you can employ during post processing when you can’t get everything sharp from front to back with a single exposure in the camera.

So what are you doing wrong? Arnold suggests you may be guilty of what he says “99% of people are taught are the best focusing techniques for landscape photography.” One culprit among experienced photographers is paying too much attention to “hyperfocal distance”—a focusing method that will supposedly keep everything from foreground to infinity acceptably sharp.

Arnold demonstrates why this approach is counterproductive with certain types of photos—especially when a scene includes important elements in both the foreground and background. Another popular technique that doesn’t always work is focusing one-third of the way into the scene and relying upon depth of field. Arnold demonstrates when and why this can be a big mistake.

After running you through these and other destructive scenarios Arnold reveals the time- proven methods that he recommends for preventing that sinking feeling when you evaluate images on the computer. His expert advice doesn’t require any complicated calculations for distance, and you can start using his tips the next time you take a photo.”

This advice comes with a warning that sometimes, depending upon your choice of focal length and aperture it’s literally impossible to get the job done in a single shot in the camera because of where key elements are positioned within the frame and your choice of focal length and aperture.

This challenging situation is when focusing stacking comes into play and Arnold walks you through every step of the process—including a few common pitfalls that he explains how to avoid.  Be sure to visit his instructional YouTube channel once the video concludes for more effective solutions to common photography problems.

The first thing most landscape photographers do upon arriving on location is set down their bag and pull out a trusty wide-angle lens. After all, what better way to capture an expansive vista? The problem with always following this routine is that your images will fail to stand out from the crowd because just about everyone else does the same thing.

Today’s 15-minute tutorial from the B&H Photo Video YouTube channel will inspire you to switch up your game experimenting with telephoto landscape photography by taking advantage of the uncommon perspective and versatility that it offers. Instructor Matt Zefi demonstrates how to make the most of long lenses in the field, and then he guides you through processing these photos (including a panorama) in Lightroom.

Zefi kicks off the lesson by describing several imaging characteristic that make telephoto lenses “so fantastic” for capturing unique landscape imagery. One big benefit is the capability to compress a scene, thus “everything within the frame tends to appear denser, and larger, and overall more epic.”

A perfect example is when a scene includes majestic mountains in the background that would recede into unimpressive hills when captured with a wide-angle lens. The same holds true when there’s an important element in the midrange of a scene. And the greater the focal length the more attention-grabbing this compression effect will be.

Apart from their greater magnification, long lenses also enable you to make key subjects stand from surrounding areas by minimizing depth of field and creating soft backgrounds, as you’ll see while watching Zefi do his thing during an excursion in the beautiful Blue Ridge Mountains. He also discusses the difference between telephoto zooms and their less-versatile fixed focal length counterparts.

For this episode Zefi is shooting with both a fast 35-150mm zoom and a slower but much more powerful 50-400mm.

Zefi describes the necessary camera settings and techniques for getting the job done, and these are significantly different (but no more complicated) that those you use when capturing the great outdoors with your favorite wide-angle lens. And as you would expect, you’ll need to take a much different approach when it comes to composition, camera angles, and the like.

The video concludes with a five-minute demonstration of the Lightroom workflow Zefi recommends when processing your telephoto landscapes for maximum impact. There’s much more to learn on a wide variety of popular topics on the B&H Photo Video YouTube channel.

And speaking of lenses, don’t miss a related tutorial we featured with another accomplished landscape shooter who demonstrates how AI can automatically banish lens flare in seconds for super clean outdoor photographs without these annoying distractions.