OK, STOP and answer this question without giving it too much thought: Should you increase or decrease exposure when photographing dark subjects? Are you sure? If not, check out this quick tutorial from Ejaz Khan so you’ll get things right, whether you’re photographing wildlife or other outdoor scenes in which the key subject is darker than normal.
Khan began his career in filmmaking before applying his love of drama and storytelling to still photography. He now travels the globe and uses his narrative skills to capture the untamed beauty, energy and movement of wildlife subjects. So he’s the right guy to address the question we posed at the onset by providing actionable steps that work every time.
Khan summarizes today’s episode like this: “From mastering gear and outdoor exposure, to understanding the importance of camera settings, we cover it all whether you’re a seasoned photographer or just getting started.” The methods he explains are provided in the context of large bison. Nonetheless, the tips you’ll learnwill work wonders with small subjects like birds and dark inanimate objects as well.
This crucial exposure decision will enable you to faithfully reproduce detail in fur, feathers, tree bark, and the like. Khan’s invaluable insights take less than 10 minutes to explain and are guaranteed to eliminate all exposure guesswork the next time you’re out and about with a camera.
Khan is in the field with a herd of bison moving through the frame, and he’s armed with a long telephoto zoom to avoid approaching these unpredictable beasts too closely. It’s not a particularly bright day, so his initial exposure settings are f/2.8, 1/1,600, at ISO 640. It’s important to keep in mind that he’s shooting hand-held.
Metering a scene accurately with the proper mode is absolutely essential with dark (or bright) subjects and Khan explains the process. Thoughtful composition is also part of the equation, especially for emphasizing the power of large subjects, and the vantage point and camera angle you choose goes a long way to fulfilling this goal.
We’ll leave it up to Khan to answer the question we asked up top and provide both the why and the how. But here’s a clue: “The bison is dark and I want it dark, but the camera is telling me to make it gray because that’s the camera’s job.” Now you got, right?
There’s much more to learn on Khan’s convivial YouTube channel, so be sure to pay a visit and take his advice to heart.
We also recommend watching a tutorial we featured earlier with another accomplished pro who demonstrates why “never shoot into the sun” is a rule you need to ignore if the goal is to capture stunning landscape photographs instead of me-too snapshots.