PetaPixel’s Chris Niccolls and Jordan Drake aren’t the norm: one of them presents while the other one operates the camera. Modern content creators typically work alone, and that includes me. That means the same number of tasks that are enough of a burden for two full-time jobs is somehow supposed to be crammed into one person.
When it comes to autonomous, compact drones, ZeroZero Robotics’ HoverAir X1 ProMax is a clear winner over the DJI Neo. We can pour over all the specs, put each drone’s real-world performance head-to-head, and dissect the footage frame-by-frame. The X1 ProMax will win every single time.
If you had told me only a few years ago that Nikon would release a video-focused power zoom lens, I’d have called you all kinds of names. But since the release of the Z9, it has become abundantly clear that Nikon intends to capture the hearts of videographers and cinematographers, a strategy which has become even more clear since it acquired RED about a year ago. Now we have the first Z-Mount video-first product from Nikon, the Nikkor Z 28-135mm f/4 PZ.
If you are anything like me, choosing a monitor smaller than 27 inches would be a hard decision to make when it comes to photo editing or video production. So it was pretty surprising that even with its smaller footprint and arguably “odd” 16:10 aspect ratio (2,560 by 1,600 pixels at max resolution), the $479 BenQ SW242Q 24 inch IPS display stands out as a very attractive option for retouchers and editors.
The Honor Magic 7 Pro has the potential to revolutionize mobile photography, but its image sensors and software computation may be holding it back.
I have gone on the record with two stances for a while now: manufacturers need to cash in on their classic heritage and someone needs to make a compact Micro Four Thirds body. OM System just announced the new $2,000 OM-3 camera and while it certainly covers the first request, it kind of misses on the second one.
Nikon has created a compelling lineup of prime lenses that feature fast apertures and premium optics. The 135mm f/1.8 Plena anchors the telephoto end and the 85mm and 50mm f/1.2 lenses bring incredibly bright apertures to the normal ranges. It makes sense that the logical foray into the wide-angle is going to start with the new Nikkor 35mm f/1.2 S.
The Vivo X200 Pro sets the benchmark for what a telephoto lens can do on a smartphone.
The photographic world tends to flow into a state of normality, order, and conformity. Certain lenses just work for most situations, and the popular choices of the professionals quickly become the traditional tools of the masses. It seems everyone starts with a general-purpose lens that covers a rough full-frame range of 28mm to 70mm or so, and then eventually, you end up with something wider and something longer.
A cursory search and scroll on YouTube for the Hohem iSteady M7 will position the new smartphone gimbal as an emerging titan in the gimbal space. All kinds of content creators have gone to great lengths to detail the seemingly endless list of features built into the M7, including its patented AI tracking technology that works with any smartphone.